#i really could write more for this

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[stealingyourbones]

Danny’s clockwork emblem gets damaged and causes him to glitch and slip through time (think Loki tv show Time Slipping or Into the Spider-Verse glitching). Lucky for him it’s not too random, his sporadic time jumps and flickering in and out of reality is centered on this vaguely familiar superhero he remembered Clockwork mentioning and he doesn’t quite know why.

[opens-up-4-nobody]

The 1st time I watched all of tos Turnabout Intruder was my favorite episode. Despite the pretty intense sexism and crazy shatner acting, I just find the idea really compelling.

[tourettesdog]

I am begging people to be normal about completed fics, and in particular one shots.

I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.

I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.

Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.

[jadewritesficshere]

Steve and Eddie are sharing a joint, sitting in Steve's car. They're just talking about random shit, when Steve goes to apply chapstick. And that made him think about lipstick.

Steve likes lipstick. He voices this opinion. Likes the pop of color that draws the eyes. Likes how it emphasizes lips, makes them look even more kissable. Likes the marks they leave on the skin when kissing. It gets him all hot just thinking about the trail leading down and down-

And Eddie. Eddie just shrugs and returns to puffing on the joint they are sharing. Says he's never experienced it. Which, Steve thinks is criminal. Sure, Eddie is gay and it's the 1980s, but lipstick is just makeup and anyone should be able to wear makeup. I mean, Steve isn't shy to wearing lip gloss not that he advertises it.

So, Steve digs around his car, finds the lipstick that Robin left. He applies a thick layer to his lips, smacking them a few times. "I'll prove it, come here," Steve says leaning into Eddie's space.

And Eddie is wide eyed but agrees.

One kiss leads to two. Which leads to Steve pressing open mouthed kisses into Eddie's neck. Eddie moans and Steve whispers in his ear," I've wanted to do this for awhile,, you're so hot." Which leads to Eddie's shirt coming off. Leads to red lipstick trailing down Eddie's chest and down and down and

Yeah, Steve was right. Lipstick is hot.

[ryllen]

I saw a treyjade fic and thought of you

https://archiveofourown.org/works/63865795

oh, thank you! ٩(ˊᗜˋ )و♡˚₊‧⁺ ₊ ⊹ i love it. it's a good writing, it's really nice & easy to read.

please read it everyone else!

[mustfindcreativeusername]

Sometimes I remember he died, he was dead for real, but SO MANY people loved him SO MUCH that he was brought back to life and got to have so many more adventures and get old and eventually retire and yes it's a fictional character but sometimes I think about that and I have to lie down and have a cry about it. We love you Sherlock Holmes

[amateurenjoyer]

I know the infertility stuff with Gemma has rubbed some folks the wrong way, and that's fair. These types of stories are not always handled with care and can feel as hollow as using a dead wife in order to give a man depth as a character. That said, I fear that criticism of the infertility story in Severance, or indeed criticism of the breadth of themes of fertility and parenthood in the series, has suffered as a result of gendering these ideas as being primarily explored through the women in the show. There was plenty of eye rolling when we met Gemma for real and her great trauma turned out to be the loss of her unborn child—"oh great, another woman defined by her inability to produce children!"—but this didn't come out of left field in a show that has put expectant parents, midwives, fraudulent lactation specialists, couples struggling to make ends meet for their kids, dads garage jamming with their daughters, and child laborers all on screen, not to mention the cult of Kier the Grandfather/Founder that props up the central mysteries of the show.

Parenthood, birth, and the power dynamics of progenitors and progeny all exist at the heart of Severance (right alongside love, agency, personhood, and capitalist critique), but I don't know that enough people look through this lens when thinking about the men in this show. Even when their stories explicitly touch on these themes, severed men like Petey and Irving and Mark—who, by the way, has every right to claim the same grief over the loss of their child as Gemma, though his experience is radically different as the parent who didn't carry the child—get kind of left out of the conversation.

They should not get left out of the conversation and the mpreg Kier statue in the birthing cabin was there to remind you of that.

Check under the cut for Mark Scout world's worst dad thoughts with lots more spoilers for the finale.

I don't know how many folks on Tumblr have Boomer parents, and I don't know how many of these ideas have filtered through to each generation of parents following, but I know that my Boomer mother and many (many) of my friend's parents had a whole litany of witticisms that they'd use to disempower and belittle the personhood of their kids, and they used these phrases with extreme regularity. "Because I said so," "My house, my rules," "If I were you (and thank God I'm not)," "I brought you into this world, and I can take you out of it," etc. Depending on tone and context, these could vary from pretty benign to legitimately threatening, but they all betrayed the same basic attitude: right now, you are not a person, and I make your decisions for you, until I say otherwise.

Boomers may have excelled at expressing this sentiment through phrasing that is worthy of shitty gas station hats and little else, but it feels as though it has been a dominant mode of parenting thought for a long time. The idea that it is the position of being a parent that confers power to someone, no matter how unearned that power truly is, is also extremely present in the outie-innie dynamic.

Mark S was straight up born from his outie's inability to actually grieve the death of his wife, his unwillingness to move forward through despair, and his complacency with his self-destructive coping mechanisms. Having lost his ability to work due to his alcoholism, Mark Scout created a whole new person who could do the work for him. He "hoped that [Mark S] would be spared the pain," but for much of the show thus far, he hasn't taken a single step to move away from that pain, be it in an effort to spare himself or his innie. This a couple in a dysfunctional marriage having a child to try and save it, only to absolutely fuck that kid up by refusing to acknowledge the reality of the situation or do anything to change it for the better. Only in this scenario the marriage is between Mark and the ghost of his wife.

Like the kid brought into such a marriage, Mark S doesn't need to know the details of his outie's life to carry his burdens. Their shared body is the exposure that ensures every hangover, every sleepless night, every pre-work weeping session, every fight with a rebound (sorry Alexa you deserve more than this title) or a family member worms its way into the innie's life. A life that is already deeply infantilized by Lumon's workplace culture more broadly, and doubly so because MDR is being babysat by step-dad Milchick while the literal Mother of the Severance Procedure goes rogue.

When he does learn the reason for his outie's severance, Mark S is compassionate, curious, and instantly willing to search for Miss Casey—not out of some deeply rooted love of Gemma that has somehow transcended the severance barrier, but out of recognition of his progenitor's personhood and pain and his desire to help a fellow innie with an unexpected connection to his own outie. How often do children make an effort to help and humanize their parents, even when they've been given very little reason to? Be it out of a sense of obligation or a misunderstanding that a parent naturally looks out for their child's best interests and so a child should do the same, many of us will go out of our way to try and understand our parents as people, at least once. Mark S does that readily, even when Helena-as-Helly pushes against the idea.

When we finally get a conversation between Mark Scout and Mark S, it begins on a disarmingly hopeful note. Mark Scout apologizes, willing to admit the world he brought Mark S into is not a sane or safe one. Things go off the rails quick when Mark Scout fails to recognize his innie has a separate person with his own motivations, and from there the conversation is steeped in patriarchal condescension and a fundamental sense of ownership. Mark Scout dismisses his innie's relationship with Helly R as an inferior, juvenile "experience," that naturally pales in comparison to the more.real, more adult life he had with Gemma, simply because the outies came first. He cannot fathom any resistance to the idea of saving Gemma, because he does not think Mark S is deserving of his own identity, desires, or agency. What claim can an innie have to such things when he doesn't even have his own body? "My house, my rules."

Mark Scout then drops the bomb that he's already started the process of reintegrating. Though he himself is not fully aware of how reintegration will actually impact their separate consciousnesses (or has seemingly forgotten what little he learned about it from Petey), Mark Scout positions it as a solution that benefits them both. Mark S challenges that assumption, and the outie is aghast that the innie fails to extend any trust his way. The trust was assumed to be there, because Mark Scout assumes authority over Mark S. "Because I said so." In the absence of more information about what reintegration really means, it sounds like Mark S will sit as a passenger in Mark Scout's life. Reintegration for the innie is not a solution, but a threat. "I brought you into this world, and I can take you out of it."

This whole conversation happens inside a cabin at a birthing retreat, where a statue of a pregnant man (presumably an Eagan and presumably Kier himself) watches with it's mate, wearing a sort of cartoon grimace. The camera lingers on this icon as a moment of scene setting, signalling that the audience should be seeing this as a conversation between parent and child, the elder lording their power over the younger, and the progeny rebelling against the progenitor by asserting their own humanity.

[randomminty]

Five billion octopath 2 scribbles i feel sick

[asavt]

Today's warm ups: A little bit of that tag-ramble of the deceit trio living in PV's robes, a scenario related to that with Espresso and Black Sapphire (and Candy Apple), and a little storyboard idea.

[bluerosefox]

Little Danny's Big Adventure

New idea.

Okay now hear me out.

-Pulls out AU idea cauldron and tosses stuff into it-

Let's put in some Ghost King/Prince Danny.... But also some deaged to toddlerhood Danny that gets yeeted into the DCverse!

Like imagine, tiny baby Danny with his tiny crown of ice floating above his head and his galaxy cape wrapped around him and uses it like a baby blanket. He didn't mean to fall into a different universe, a natural portal opened up and he was being a curious little thing! He didn't mean to trip and fall in during his nap time.

Nor was he expecting to fall into this realm during a rogue attack and knock out said rogue cause they were being a meanie and harming people and now Danny just wants his nap time cause he spent a lot of his tiny engery and he wants to find a nice spot.

Danny finds a place to crash, snuggling himself into his cape and the astronaut bear Danielle got him during her last visit that he takes everywhere since.

He's out like a light as the door to this safe house that belongs to one of the Bats opens up.

Meanwhile. In the Infinite Realms, Queen Regent Jazz is going into Mama Bear Jazz Mode trying to find her deaged brother, keeping the Realms in check, and is resisting the urge to put CW in time out Soup Time because he's being cyptided again about Danny whereabouts!!! UGH!

[monstermonger]

bit of a silly question here but have you ever gotten afraid to draw in a journal like the one you recently shared? like the idea of using the pages "incorrectly" or "wasting" them (or running out right before you get inspiration that might have been "better" than what you'd jotted down)? your art is INCREDIBLE and I know the best way to improve is to do it, all the time, but I struggle getting started for those sorts of fears, and I want to know if you have tips for overcoming that ^^

I don't think it's a silly question, in fact I think it's one of the Ultimate Art Questions haha

Yes I 100% struggled with that in the past; i'm happy to try my best, sharing some personal tips in journaling, specifically! :D

TECHNICAL SIDE:

>> Small simple sketchbook = less intimidating to fill the pages. (Also, easy to carry around)

5x7in Moleskin, and a pilot pen

>> My journal ISN'T a place to prove that I can make pretty pictures. I have separate sketchbooks for that. I use journals to jot down ideas and notes of things I like. (yes i shared a few pages that happened to look nice, but there were 100+ other pages after all d: )

Spontaneous observation is messy and imprecise. But not in a bad way.

Rather than seeing the messiness as "bad/unworthy imperfection," try to see it as a miraculous insight to how you, a unique human being with your unique thoughts and art experience, sees the things you like

My journal process (in general): doodle a pretty cake I ate, a funny bird I saw, some weird dialogue I overheard, stickers, stamps, a character in a book that I want to draw as a dragon,......... scatter them all over the page, then look at the random blocks of empty paper remaining. Fill those up next with another lil quote, or words about the week, or some pretty vines/flowers :) etc. It's like making a collage.

Draw what you actually LIKE + what actually sounds FUN to draw. u can always take photos/save pics of other stuff if it's overwhelming.

>> Find your comfort tools. I love ink. how it looks, feels, etc; I hardly ever use pencil. A sketch that I need to ink over is usually too much work for my journal. I'm just trying to get down ideas before I get bored or get inspired by another thing LOL

[But yeah: pencils can be the perfect tool for someone else. Regular pencils, colored pencils, watercolor pencils... play around with a bunch of basic tools to find your fav.]

EMOTIONAL SIDE:

I highly recommend Lynda Barry's book "Making Comics." She has some lovely, and deeply empathetic things to say about overcoming fear of making "bad" art.

My journal scribblings/therapeutic studies --- someone with 10x the skill could do it better, sure, but they probs wouldn't focus on the same details, or be interested in the same monsters, or be thinking the same thoughts as me.

They won't have the same things to say about their day, won't see the same spindly tree growing from a crumbling brick wall on their walk. etc!

Also! imo this POV isn't an excuse to feel like I don't need to improve my technical skill, but it keeps me happy, fulfilled, and motivated as I'm on that road of improvement. AND it makes me appreciate others' incredible art as their own reflection of the things they love/their own experiences, rather than view it competitively/jealously.

"Drawing is so much more than Good or Bad. It is a language from another part of you." - Lynda Barry

[inkyrainstorms]

A Good Day To Die (not anymore. Now it’s epic brawl+taco+fireworks day) (why do you ask)

@aroace-get-out-of-my-face *throws this at you and runs away*

They���re so ridiculous absolutely my favorite idiots. Total of one brain cell between them when they’re together. Ch. 4 for A Good Day to Die(Again) did something to my brain chemistry

[kayawolfhorse]

He sticks around for a while after the disappointment of his failed trap. There’s no one left to sue him over it.

The blood is just starting to crust over where it clings to Joel’s scabbard, and it flakes upon his skin. His clothing is still filthy, but it hardly matters—the grime is of this server, and will remain with it when he leaves.

Sunset blankets the world in fiery oranges and brilliant pinks, dripping darkness like spilled ink across cliff sides and into pocket-marked craters. In its wake, without the chaos of the wild cards, in the absence of any living thing, the silence is near-deafening. Joel sighs once, loudly, just to fill the space, and does it again when he thinks about how it’d annoy Jimmy if he were still here.

The bridge to the base is remarkably intact, and the planks creak beneath Joel’s steps. He spares Gem’s empty cobbled barn a fleeting glance and reminds himself that he’ll see her soon as he marches up to his car and sets about ridding his inventory of unnecessary junk in the grass next to it.

He can practically hear Grian’s insistence that he get on with it already, but one of them is dead, and the other has a car to fix, so Joel effectively banishes the thought and pokes his tongue out in the vague direction of the sky above him.

Joel works through the night. Exploded as it had been, just about every part of the car needs repairing. The exterior comes easily enough, and it’s by torchlight that he reconstructs the engine, using up the last stores of his and Gem’s iron before raiding Etho’s waterlogged chests to finish the job.

Just before dawn is about to break, Joel slides into the driver’s seat and gives the keys a turn. The engine sputters for a moment before roaring to life. Joel grins.

It’s a bumpy ride through the center of the map, and Joel doesn’t want to talk about the times he had to rapidly construct a bridge across the rivers to get across. Once the ruined bases are confined to his rearview mirror and all that stretches before him is unmarred terrain, he floors it, giving a whoop in delight as the speedometer climbs higher and higher.

The blue shimmer of the world border overtakes the frame of the windshield. The pale morning sun has just started its ascent. Joel pushes forwards, hands tight against the wheel, teeth clenched firmly together. Thirty blocks, twenty blocks, five blocks away—

Joel slams through the border to the sound of shattering glass, and his vision goes black all at once.

—☾—

“For the record, that should not have worked,” Grian says. “And did you really have to bring that here?”

Joel’s not entirely sure where here is. Grian looks mostly corporeal, though his edges waver like the illusion of water against hot pavement, and Joel himself feels pretty solid, but all around them is vast nothingness. Pearl and Scott are bright flashes of red and blue somewhere behind Grian, and Joel can just barely make out Martyn and Scar further back.

It’s a little dizzying, honestly, and Joel quickly resolves to not look down. Despite the nausea that threatens to bubble up his throat, he makes no move to stop the smirk that spreads across his face. He gives the car’s hood at his side an affectionate pat, and is smug as he says, “Much like family, the car is forever, Grian.”

Grian buries his face in his hands.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[snail-noodle]

"my my my... what do we have here?"

you shivered in fear at the gigantic being before you. you and your cookie friends had tried your best to seal the rift in the tree with white lily cookie. however, your actions proved pointless. white lily cookie's powers were still too weak and your time had run out. you all watched in horror at the towering cookie grinning down from above.

"it's been so long since we've seen new faces! we were starting to get bored being by ourselves in here..." shadow milk cookie smirked as he took a look at each cookie standing before him. when his eyes had reached you, his gaze stayed far more longer on you than the others. you trembled from his piercing stare, a small whimper escaping from your lips as you backed away and hid yourself behind pure vanilla cookie.

shadow milk cookie chortled at the pathetic display. "Oh, how I have missed the faces of fear from you cookies! Never gets old!" now that the rift had opened big enough for him to pass through, shadow milk cookie stepped out of the silver tree that had kept him and the others imprisoned for so long. the smaller cookies screamed in terror as they scrambled to get out of his way. every footstep he took practically shook the earthbread beneath their feet.

"pure vanilla cookie!" fear clouded your mind as you tugged your leader's arm in desperation. "what are we going to do?!" anxiety gripped your heart when he hesitated to think of a solution. one of the most powerful beings in all of cookiekind has just been unleashed and is ready to bring chaos to the world once more. just how on earthbread will any cookie be able to stop such beasts?

before pure vanilla cookie could even think of an answer, you cried out in alarm as you were suddenly lifted into the air. the other cookies screamed your name as you watched their forms grow smaller and smaller. you gasped as you were face to face with the grinning jester.

"what a cute little cookie you are." he eagerly examined you as if he were a child that had been given a new toy, turning you this way and that. "it's been ages since i had a little pet to dote on. you'll make a fine addition to my collection!" your mind raced as you tried to understand what you have just heard. a collection? a pet to dote on? what on-?!

your thoughts were interrupted as you heard a snap of... fingers? confused, you found yourself locked inside some sort of bird cage; the bars were thick enough to keep you from escaping. shadow milk cookie cooed as he watched you attempt to break free. "no-!" you tugged and pulled at the bars keeping you in.

"no! y-you can't keep me in here! Please!" you cried out to him in desperation. shadow milk cookie only giggled and shook his head, "ah, ah, ah! you're staying right by my side, my little cookie." you shuddered in fear as he began to summon his powers once more. shadows seeped out from your surroundings and from his body. multiple cold blue eyes stared at you and the cookies still down below.

"now, my dear..." with a clap of his hands, monsters of every kind stepped out from the shadows, ready to obey their master. with a manic grin, shadow milk cookie spread his arms out in grandeur to the cookies below. with a perfect view from above, you could only watch in horror as your friends were surrounded at every side by monsters of different sizes.

"let the show begin!"